mariuscomper.uk Română

Romanian museum collections · CIMEC

Where the landscapes in Romanian museums were painted: 356 paintings on a map

Of 100,865 items in the museums' classified collections, 356 paintings and drawings name a place in their title. Each is a dot. The largest cluster is Balcic, the town on the Bulgarian Black Sea coast that was Romanian from 1913 to 1940.

Tap a dot for the painting. Drag to move the map; Ctrl + wheel or the + and − buttons zoom. From the keyboard: Enter opens the next painting, arrow keys move the map.

#Your commune's paintings, or those of the nearest painted place

Type the name of a commune or town. If a painting names your place in its title, it appears below. Otherwise the map shows the nearest painted place, with the distance.

#Balcic and the nearby coast: 42 paintings, 11 of 12 dated ones from 1920–1939

The largest cluster on the map is Balcic, with 39 paintings (42 with Caliacra, Cavarna and Ecrene nearby). The town is in Bulgaria today. It was part of Romania from 1913 to 1940, and painters went there to work in those years; Queen Marie built her palace there.

The dates say the same. Only 12 of the Balcic and nearby-coast paintings carry a year, and 11 of them fall in 1920–1939, against 50% of all dated paintings. Shuffling the years at random among the dated paintings, 11 or more in that window turn up in 0.4% of draws. The number of dated paintings is small: it shows a direction, not a fine measure.

Dated paintings, by decade

05101520253035190019101920193019401950196019701980decade the painting is dated to

Balcic and nearby coastrest of Dobrujaelsewhere

Only the 88 paintings dated 1900–1980, out of 109 with a year. The other 21 are from other years and are not in the chart.

#Dobruja: two paintings in five

Dobruja, on both sides of today's border, holds 146 of the 356 paintings placed, or 41%, across 16 places: Balcic, Sulina, Mangalia, Tulcea, Constanța and others. One series, 33 landscapes of Sulina by Medi Wechsler Dinu, belongs to the Tulcea museum's collection. Without it, 113 remain, or 32%.

If each painting picked its place by the size of the settlement, Dobruja would hold about 1.4% (99% of simulations below 3%). If each picked at random among the 98 places, it would hold 16%. The most painted places are on the coast.

#The places on the map

PlacePaintingsFirst title
Balcic (Balchik)39Peisaj din Balcic
Sulina37S6 - Peisaj la Sulina (Malul Dunării și case)
Bucharest23Vedere lângă București
Mangalia21Peisaj marin (Mangalia)
Tulcea19Stradă veche la Tulcea (Casă cu cerdac)
Venice14Veneția
Baia Mare8PEISAJ DIN BAIA MARE
Constanța8Constanța - Case pe faleză
Sibiu8Vedere a orașului Sibiu, capitala Transilvaniei
Brăila7Vedere din Brăila
Paris7Peisaj din Paris
Curtea de Argeș6Biserica și Mânăstirea Curtea de Argeș
Galați6PEISAJ DIN GALAȚI
Herăstrău (Bucharest)6ALEE ÎN PARCUL HERĂSTRĂU
Brașov5Peisaj – Brașov

#Limits of the map

The map is not "all landscapes". Of 100,865 records, 9,393 are paintings or drawings, and for only 356 of those could the place in the title be matched with confidence. Most are called "Landscape", "Seascape" or "Winter landscape", with no place name, and cannot be put on a map.

The collection holds more than Romanian painters: there are 142 artists, including some born abroad, such as Amedeo Preziosi. 55 paintings lie outside Romania and Bulgaria, in 25 places. No collection is complete: museums sent only part of their holdings as classified.

On the map a dot sits at the place named in the title, not where the painter stood. Inside a place the dots are laid out in a spiral so each can be seen; the position among them means nothing. Only 109 of 356 have a year (89 from the date field, 20 from a "dated" note in the description).

#Questions

What does the map show?

356 paintings and drawings from Romanian museum collections, placed at the place named in the title: Balcic, Sulina, Mangalia, Bucharest, Venice and 93 other places.

Why is Balcic in Bulgaria?

Balcic and the rest of the Quadrilateral (southern Dobruja) belonged to Romania from 1913 to 1940 and are in Bulgaria today. Romanian painters worked there in the 1920s and 1930s; the dots sit at the town's position today.

How reliable is the place on the map?

In a hand check of 100 paintings drawn at random, 95 had the dot at the place named in the title and were views; in the other 5 the place was wrong or the painting was not a view. Those five, and others of the same kind found on reading the list, were removed; the sample was not drawn again.

Can it say where the painter stood?

No. The title names a place and the dot is there. A painting called "Landscape from Balcic" can be painted from any hill around.

Can the images be reused?

The images come from CIMEC through Europeana under CC BY-SA 4.0: they can be reused with credit and the same licence.

#Method

Source: the "Clasate" collection of CIMEC (National Heritage Institute) on Europeana, 100,865 records, plus items with landscape titles from the culturalia collections. Records kept have a painting or graphic technique (oil, canvas, watercolour, tempera, pencil, engraving, drawing) and no portrait, icon or religious subject.

Place: capitalised names in the title, looked up in GeoNames (settlements) and a hand list of painted places (Balcic, Caliacra, Cavarna, Mamaia, Cișmigiu, Herăstrău). A word counts only if the title reads as a view of that place (677 matches rejected: personal names, saints, very small villages, portrait titles). A name that fits several settlements of the same rank is left out.

Year: the date field, or a date in the same sentence as "dated" or "signed"; circulation, acquisition and exhibition dates do not count. 247 paintings have no year; they show on the map as grey dots.

Checks set in advance: that Balcic has its dated paintings mostly in the 1920s and 1930s, and that Dobruja stands out against a place picked at random. The first held, with few dates; the second, against a pick by settlement size, is easy to pass and is stated with that limit. A comparison with photographs from the same collections was not made.

Control sample: 100 paintings drawn at random and read by hand, before the last clean-up of the list.