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The Roadside Buffet: the upstairs loggia with wooden pillars and trilobate arches above the stepped entrance
The Roadside Buffet (1889–1892): a loggia on eight wooden pillars, trilobate arches, polychrome ceramic. The Roadside Buffet · Neoclassicism Enthusiast, CC BY-SA 4.0 · Wikimedia Commons

Ion Mincu, 1852–1912

The Lahovari House, one of the beginnings of the Romanian Revival

In 1886, on a quiet Bucharest street, Ion Mincu, an architect barely past 30 with a fresh diploma from Paris, finished the Lahovari House: a house with a loggia and elements inspired by Romanian vernacular and medieval architecture. The Lahovari House became one of the first manifesto buildings of the movement that would be called the Romanian Revival. Mincu's wager: Bucharest could speak Romanian in stone and brick, borrowing the forms of old churches and houses.

Read a facade

  • 1852–1912

    from Focșani to Bucharest

  • 1886

    the year of the Lahovari House

  • 5

    elements to spot

  • 6

    stops on the map

The life, in brief

From Focșani to Paris and back: 59 years, between engineering, architecture and teaching.

  1. 1852

    Focșani

    Born on 20 December in Focșani, to Pavel and Maria.

  2. 1863–1871

    School in Focșani

    Eight years at the Unirea high school in Focșani, then off to Bucharest.

  3. 1871–1877

    The engineer

    Graduates from the School of Roads and Bridges (1871–1875) and becomes chief engineer of Putna County (1873–1877). Works on the Ploiești–Predeal road.

  4. 1877–1884

    Paris

    Studies begun in 1877: one year at the École Spéciale d'Architecture with Émile Trélat, then the Beaux-Arts with Julien Guadet. In 1883 he takes the prize of the Central Association of French Architects; in 1884, the architect's diploma.

  5. 1884–1886

    The Lahovari House

    Back home, he builds the house at 5 Ion Movilă Street for General Iacob Lahovary: one of the first manifesto buildings of the national style.

  6. 1889–1892

    The Roadside Buffet

    On the Kiseleff Road he raises the building first designed as a Romanian pavilion (a “Romanian tavern”) for the 1889 Paris exhibition: the loggia on eight pillars, with trilobate arches and ceramic.

  7. 1890

    The Central School

    The Central Girls' School at 3–5 Icoanei Street, completed in 1890, takes the style to civic scale: medallions and bands of polychrome ceramic on the facade.

  8. 1892–1912

    The teacher

    Founding member of the Architecture School of the Romanian Architects Society; he teaches architecture between 1892 and 1912. Among his pupils: Toma T. Socolescu. From 1903 to 1912 he leads the Romanian Architects Society.

  9. 1895–1899

    The deputy

    Deputy for Putna in the Romanian Parliament, 1895–1899.

  10. 1904–1910

    Stavropoleos

    He designs the restoration of the Stavropoleos church and the new museum precinct; the works begun in 1904 continued after his death.

  11. 1912

    The end

    Dies in Bucharest on 6 December, two weeks short of 60, and is buried at Bellu. The architecture university has carried his name since 1952; the Romanian Academy elected him posthumously in 2012.

The bronze bust of Ion Mincu in Focșani, on a stone plinth, photographed from the front
Ion Mincu (1852–1912), in the bust at Focșani, his home town. The bust in Focșani · Joergsam, CC BY-SA 3.0 · Wikimedia Commons

The style, decoded

Mincu did not invent out of nothing: he took Brâncovenesc and peasant forms and fitted them onto the town house. Five elements frequent in Romanian Revival architecture, to spot in the photographs on this page.

  1. the pillared porch

    The foișor

    The open upstairs loggia. At the Buffet, eight wooden pillars carry trilobate arches and an entablature with polychrome ceramic.

    The Roadside Buffet, 1889–1892

  2. the trilobate arch

    Trilobate arches

    The three-lobed arch, from the Brâncovenesc architecture of Constantin Brâncoveanu (1688–1714). You meet it at loggias and windows, as in the photographs on this page.

    The Lahovari House, 1884–1886

  3. the stone surrounds

    Carved frames

    The sculpted surrounds of doors and windows, with interlace and tendrils. In the photograph of the Central School, every window is decoratively framed (visual observation).

    The Central School, 1890

  4. the glazed roundels

    Ceramic discs

    Medallions of polychrome ceramic set into the facade. On the Central School, a middle band of polychrome faience and medallions between the windows; in the photograph: white, blue and ochre (visual observation).

    The Central School, 1890

  5. the slender shafts

    Colonettes

    Slender stone shafts between windows or in porches. In the Stavropoleos courtyard, stone colonettes can be seen under arches (visual observation from the credited photograph).

    Stavropoleos, 1904–1910

Close-up of glazed ceramic discs, blue and ochre, with carved string courses on white masonry
Polychrome ceramic discs on the Central School facade: white, blue and ochre on white masonry. Ceramic detail, Central School · Neoclassicism Enthusiast, CC BY-SA 4.0 · Wikimedia Commons

Read a facade

An ordinary Neo-Romanian facade, drawn schematically for this page. Press the five numbered dots and see what each element is called.

Schematic drawing of a Neo-Romanian facade, with 5 dots to press 12345
Schematic drawing of a Neo-Romanian facade, with 5 dots to press

You have not found any element yet

Answer: The foișor

The foișor. The pillared upstairs porch. At the Buffet it has 8 wooden pillars; here, in the drawing, 4 masonry columns carry the arches.

Answer: Trilobate arches

Trilobate arches. Arches with three lobes, of the Brâncovenesc family. You see them at the loggia and the windows.

Answer: Carved frames

Carved frames. The sculpted window surrounds, with interlace. In the drawing, every window is decoratively framed.

Answer: Ceramic discs

Ceramic discs. The glazed roundels strung under the cornice: in the drawing, white, blue, ochre.

Answer: Colonettes

Colonettes. The slender shafts dividing the paired windows. In the photograph of the Stavropoleos courtyard, stone colonettes can be seen under arches (visual observation).

The walk: six stops

From the Lahovari House to the last restoration: a route through Bucharest, in the approximate order of the works. The map is schematic, not to scale.

Schematic map of the 6 stops, joined by a route

You have not seen any stop yet

  1. 1

    The Lahovari House

    1884–1886 · 5 Ion Movilă Street, in the Cantacuzino Hospital courtyard

    One of the first manifesto buildings: a town house with a loggia, built for General Iacob Lahovary. Today it hides in the Cantacuzino Hospital courtyard.

  2. 2

    The Vernescu House

    1887–1889 · 133 Calea Victoriei

    In 1887–1889, after the Lahovari House, Mincu remodelled an existing house in the French eclectic idiom for the politician Gheorghe Vernescu.

  3. 3

    The Central School

    1890 · 3–5 Icoanei Street

    The civic scale. A girls' school completed in 1890, with medallions and bands of polychrome ceramic: the style steps into public space. After the historian Radu Moțoc, specialists consider it Mincu's masterpiece.

  4. 4

    The Roadside Buffet

    1889–1892 · 4 Kiseleff Road

    The building first designed as a Romanian pavilion for the 1889 Paris exhibition and built on the Kiseleff Road: eight wooden pillars, trilobate arches, polychrome ceramic. Today the Casa Doina restaurant.

  5. 5

    The Palace of Justice

    1890–1895 · 5 Independenței Embankment (interior)

    At the palace designed by Albert Ballu, Mincu directed the works and designed the decoration of some interiors, between 1890 and 1895.

  6. 6

    Stavropoleos

    1904–1910 · Stavropoleos Street

    The return to the source. Mincu designed the restoration of the old church and the new museum precinct, without demolishing or moving it: the works begun in 1904 continued after his death.

The Lahovari House seen from the courtyard: a white ground floor and an arched upstairs loggia under a broad tiled roof
The Lahovari House today, in the Cantacuzino Hospital courtyard: the walk starts here. The Lahovari House today · Neoclassicism Enthusiast, CC BY-SA 4.0 · Wikimedia Commons

The city before and after

French-style eclecticism was influential in the Bucharest architecture of the time: pediments, rustication, mansards. Mincu showed another way.

  1. Before: copying Paris

    Many houses of the Bucharest elite followed French models, often drawn by French architects. Mincu himself worked in this idiom: in 1887–1889, after the Lahovari House, he remodelled the Vernescu House, a beautiful house in the French eclectic idiom.

  2. Odobescu's thesis, c. 1870

    About a decade and a half before the Lahovari House, Alexandru Odobescu asked artists to study the old monuments and recast them as new art. Mincu was among the architects who carried the idea through in architecture.

  3. After: the national idiom

    The General Exhibition in Carol Park (1906) was an important moment in defining and spreading the Neo-Romanian direction. After the Union of Architects, through the effort of Mincu and his disciples, architecture of national expression was taken into the building of state institutions.

Paraphrase after Alexandru Odobescu, c. 1870

To study the Romanian monuments left over from the past and to make their artistic elements the source of a new art: that, in short, is Odobescu's call to artists.

The same house, then and now

The Lahovari House today in close-up: the white loggia with carved pillars and the garland frieze under the eaves

Today

Old photograph of the Lahovari House in close-up: the pillared loggia under the broad eaves, above the hedge

Then

The Lahovari House in its day: raised between 1884 and 1886, a year before Mincu began remodelling the Vernescu House (1887–1889). The Lahovari House today: the same house, in the Cantacuzino Hospital courtyard. The Lahovari House in its day, upper half · unknown, Public domain · Wikimedia Commons · The Lahovari House today, upper half · Neoclassicism Enthusiast, CC BY-SA 4.0 · Wikimedia Commons
The Vernescu House on Calea Victoriei: a French eclectic facade with pilasters and pediments
The Vernescu House (1887–1889): a remodelling in the French eclectic idiom, after the Lahovari House. The Vernescu House, Calea Victoriei · Vlad1918, CC BY-SA 3.0 · Wikimedia Commons
The Stavropoleos lapidarium courtyard: arches on stone colonettes around the old church
The Stavropoleos courtyard: Mincu designed the restoration and the new museum precinct; the works continued after his death. The Stavropoleos courtyard · Miehs at Romanian Wikipedia, Public domain · Wikimedia Commons

Quiz: six questions

You read the page? Then you already know the answers. Pick one option per question.

  1. 1

    What are the coloured roundels on the Central School facade?

    Answer

    Glazed ceramic discs: medallions and bands of polychrome faience on the building completed in 1890.

  2. 2

    Which of these three buildings did Mincu finish first?

    Answer

    The Lahovari House, 1886: of the three, the earliest; 3 years before the Vernescu House and 6 years before the Buffet.

  3. 3

    What is the pillared porch at the Buffet called?

    Answer

    Foișor: the one at the Buffet has 8 wooden pillars carrying trilobate arches and ceramic.

  4. 4

    Where did Mincu take his architect's diploma?

    Answer

    Paris, 1884: after studies begun in 1877, with the French architects' prize taken in 1883.

  5. 5

    The Roadside Buffet was first designed as…

    Answer

    The Romanian pavilion in Paris, 1889: the building was designed in 1889 as a Romanian pavilion for the Paris exhibition and built on the Kiseleff Road, completed in 1892.

  6. 6

    In which years did Mincu teach architecture?

    Answer

    1892–1912, until the year he died. In 1903–1912 he led the Architects Society, and in 1895–1899 he was a deputy.

Sources and method

The biographical milestones and building dates are checked in the evidence ledger (research/ledger.md), after the Ion Mincu University of Architecture, the Romanian Academy, the Stavropoleos Monastery, the Bucharest Municipality Museum and specialist studies. Where sources disagree (the Buffet, the Central School, Stavropoleos), the ledger shows the variants and the chosen resolution.

The facade drawing and the walk map are schematic, made for this page: not surveys, not to scale. Passages marked “visual observation” describe the credited photographs.

Images