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Lisboa1 November 1755

Lisbon after the 1755 earthquake: uneven damage, plans and urban memory

No single image contains the whole pattern of damage. Five stops move from a painted tile panorama to Baixa’s streets and Carmo’s open nave, showing where the evidence ends and how the rebuilt city changed.

A story in five stops — A panorama from before, earthquake, tsunami, fires and a changing city

Photograph of Lisbon’s painted tile panorama: rooftops, churches and hills unfold in a broad horizontal view.
The photographed work is the Grande Panorama de Lisboa, dated c.1700 and tentatively attributed to Gabriel del Barco.V11 Photograph · Philip Mallis · 31 May 2025CC BY-SA 4.0 · 4080 × 3072 px · Wikimedia Commons ↗

01A view from before

What does the c.1700 view show?

A panorama is not a survey of the streets

A long wall of painted tiles shows Lisbon from a distance. It does not document every street on the eve of the earthquake. V10 V11

The work known as the Grande Panorama de Lisboa is dated to around 1700. The museum attributes it, with qualification, to Gabriel del Barco. The photograph here was made much later: the image and the photograph have separate dates and histories. V10 V11

A broad view helps us picture the city, but it does not locate every building or show what would happen in 1755. V10

021 November 1755

How did the shocks unfold?

Earthquake, tsunami, then fires

On All Saints’ morning, the city was struck by an earthquake, followed by a tsunami and fires. The sequence is better established than any universal minute for the wave or a single duration for the fires. V03 V01

A 1757 engraving of São Nicolau church in ruins: walls and columns remain standing, while the roof is gone.
The ruins of São Nicolau church in an engraving made in 1757.V12 Engraving · Jacques Philippe Le Bas · 1757Public domain (PD-Art reproduction; details on Commons) · 1012 × 716 px · Wikimedia Commons ↗

An engraving made by Jacques Philippe Le Bas in 1757 shows the ruins of São Nicolau church. It depicts one place at a moment after the disaster, not a damage map of the whole city. V03 V12

In the 2019 study’s numerical model, the tsunami reaches its defined downtown study area after about 60 minutes. That is the result of that model for that area, not a universal arrival time for Lisbon. V01

03Two studied territories

What does “uneven damage” mean?

One catastrophe, different local patterns

This is not a complete map of the ruins. Two studies document different experiences in bounded areas, using different methods and asking different questions. V01 V02

Not-to-scale locator: the Tagus, the studied downtown area, Santo Estêvão in Alfama and Carmo, marked as separate places.
Original schematic, not to scale. Place labels only; no damage boundaries or percentages. Original schematic made for this story · not to scale · 1000 × 430 px ·

In the central area studied in 2019, the authors conclude that the earthquake did not significantly damage most of their study area; fire caused most property damage there, while their tsunami model shows effects in central and western sections. This finding belongs to that territory, not every Lisbon neighbourhood. V01

The 2022 study follows Santo Estêvão, part of Alfama. Documents, fieldwork and modelling show substantial local effects. A fall in households or residents describes population change; it is not a percentage of buildings destroyed. V02

04From proposals to rules

How was the new Baixa planned?

Rebuilding was a process, not one drawing

Manuel da Maia organized the reconstruction debate, which produced several proposals. The May 1758 law and the separate June record are distinct milestones. V03 V05 V06

The Commons file page dates the chart below to 1756 and names Eugénio dos Santos and Carlos Mardel. Research on the cartography warns that the dates of related charts, and their relationship to the final plan, are not fully established. This image records the proposals; it does not prove the approved final plan. V05 V13

A historical chart of Baixa’s regular streets and blocks, rendered in fine lines on a pale ground.
The file page dates this chart to 1756; dates of related charts remain uncertain. A proposal record, not proof of an approved final plan.V13 Eugénio dos Santos and Carlos Mardel · 1756 · Commons file-page datePublic domain (PD-Art reproduction; details on Commons) · 3732 × 2414 px · Wikimedia Commons ↗

The University of Coimbra archive separately records the royal law of 12 May 1758 on rebuilding and an alignment record dated 12 June. Carvalho e Melo, a minister during the crisis and later known as the Marquis of Pombal, had a major political role; no unverified quotation is attributed to him here. V03 V06 V18 V19

The model shows a gaiola: timber framing tied to masonry, intended to improve seismic performance. It is an explanatory model, not a measured wall section or a promise of absolute protection. V09 V16

A gaiola model: a timber frame with diagonal members inside a masonry wall frame.
An explanatory gaiola model, not a measured wall section.V16 Model · Galinhola · October 2008CC BY-SA 3.0 · 640 × 474 px · Wikimedia Commons ↗

05Two traces in the present city

What does present-day Lisbon show?

Baixa adapted; Carmo became a memorial

The regular grid and standardised façades remain visible in Baixa, but the city changed over time. At Carmo, the sky above the nave reflects a later memorial decision. V07 V08

Research on the urban form describes a persistent order, not a district frozen in 1758. The plan was interpreted, completed and adapted; the photograph below records a street in 2017. V07 V14

A 2017 street in Baixa Pombalina: aligned façades, balconies and a regular perspective between buildings.
A street view in Baixa Pombalina, photographed in 2017.V14 Photograph · xiquinhosilva from Cacau · 4 May 2017CC BY 2.0 · 6016 × 4016 px · Wikimedia Commons ↗

At Carmo, rebuilding began in 1756 and stopped in 1834. A mid-19th-century decision to leave the nave open to the sky made the building a memorial; the archaeological museum was founded in 1864. V08 V15

Carmo’s roofless Gothic nave photographed in 2025, its stone arches open to the sky.
Carmo’s roofless nave within the present-day museum.V15 Photograph · Jakub Hałun · 4 June 2025CC BY 4.0 · 3851 × 3840 px · Wikimedia Commons ↗