mariuscomper.uk
English

Pietroasa–Moscow, 1837 – 1956

What happened to the golden hen with her chickens?

In Lent 1837 two quarrymen found 22 gold pieces near Pietroasa; then came the axe, a trial, a ceiling robbery and the long road to Moscow. 12 pieces survived – and a paper trail a century long.

Trenk's frontispiece to the first volume, 1889: the hen broods over the hoard she names. Henric Trenk, 1889 · Wikimedia Commons
Representative routes: the hoard's journeys
Map of the hoard PietroasaBuzauBucharestBucharestParisLondonViennaBucharestBerlinBucharestMoscow

Representative route

From Pietroasa to Moscow and back

In Lent 1837 the hoard came out of a quarry bank; by 1842 it sat in a Bucharest museum. Exhibitions carried it to Paris, London and Vienna, a thief lifted it through the ceiling, a restorer mended it in Berlin – and in 1916 the road to Moscow opened, for 40 years.

Below, the hoard in four chapters – the find, the museum, the robbery, and Moscow. The routes on the map are representative, drawn through the verified places of the story.

Chapter I

The find

1837 – 1842 · 1837–1842, the find

Chapter
1837 – 1842
The find
Lent 1837, Valea Urgoaiei
The sale
4,000 lei to Anastase
The sentence
29 September 1839

In Lent 1837 two quarrymen, Ion Lemnaru and his father-in-law Stan Avram, were cutting stone on Valea Urgoaiei, under the Via Ardelenilor vineyard near Pietroasa, then in the county of Saac. Between two large slabs, close to the surface, they found gold things – vessels and ornaments, some set with stones – with a black earth stuck to them that researchers read as rotted wrapping that shielded them for 1,400 years.

The finders hid the hoard for a year, then sold it to Anastase Tarpa, an arnaut from Bitola known as the Serb, for 4,000 lei. He smashed the pieces with an axe in a villager's house until the stones fell out; the sweepings went into the yard dust, where children later picked them up. Order no. 2987 of 10 July 1838 sent the Buzau police after every receiver, and the interrogations counted the hoard four different ways: 16, 17, 22 and 26 pieces.

Petroasa village and Mount Istrita, drawn by Henric Trenk for Odobescu's album: the quarry lay under the Via Ardelenilor vineyard. Henric Trenk · Wikimedia Commons
The two plain torcs, table I of the Odobescu–Trenk album: the inscribed one lost part of a letter to the chisel. Henric Trenk · Wikimedia Commons

Anastase buried what he had at the Calnau bridge and blamed a flood; made to dig, he produced the figured tray and the rest. On 14 July 1838 the prince ordered the pieces into the National Museum, and in 1839 the court tried the case: the two finders died in prison, two villagers got 30 lashes and a year each, and Anastase – the smasher – was acquitted.

We found some things of gold, thrust between two stones.

Ion Lemnaru's deposition, 1838

Meanwhile Nobody knows the exact spot: in August 1838 the Interior itself wrote that the place was unknown.

Chapter II

The museum

1842 – 1875 · 1842–1875, the exhibitions

Chapter
1842 – 1875
Sfantul Sava
28 March 1842
Paris
1867, 16 pieces
London
1868, 9 months

On 28 March 1842 the Interior announced the Pietroasa gold was going to Sfantul Sava College in Bucharest; the receipt of 7 April listed the pieces – 18.7975 kg of gold – and they became the seed of the National Museum of Antiquities. A jeweller named Bisterfeld had already been hired to mend them: 40 imperial galbeni, finished 13 January 1840.

In 1867 Alexandru Odobescu, General Commissioner of the Romanian display, took the hoard to the Paris Universal Exhibition: 12 inventory entries, 16 pieces, in a special vitrine that sank into an iron box. The Romanian press accused him of selling or pawning the treasure – in truth a proxy war between Cezar Bolliac and Ion Bratianu – and Odobescu answered with a published report in 1869.

Alexandru Odobescu (1834–1895), photographed by Weiss of Iasi: at 27 he took the hoard as his life's work. Weiss of Iasi · Wikimedia Commons
The treasure's vitrine in the Bucharest Museum of Antiquities, engraved after Trenk: the 1867 case sank into iron. After Henric Trenk · Wikimedia Commons

From Paris the hoard went to London's South Kensington Museum for 9 months at Henri Cole's invitation, where it was photographed and copied in galvanoplasty; those 1868 photographs are the only record of its post-Paris state. Vienna followed in 1873, then Bucharest again: the west wing of the old University building, with the Senate sitting directly above.

Bring back and set in their place those precious jewels, those jewels that were our national pride.

Cezar Bolliac, Trompeta Carpatilor, January 1868

Meanwhile Odobescu filed his monograph project on 2 May 1874: 500–800 pages, 500 copies, in French.

Chapter III

The robbery

1875 – 1900 · 1875–1900, robbery, fire, restoration

Chapter
1875 – 1900
The robbery
night of 19–20 November 1875
The sentence
no. 1603, 7 May 1876
Berlin
Telge's report, July 1884

In the night of 19–20 November 1875 the hoard was stolen from the Museum of Antiquities. The thief, 21-year-old Dumitru Pantazescu-Popescu of Titu – a seminary expellee with a record since 1871 – slipped into the Senate Library above, cut the floorboards, let himself down on a rope, diamond-cut the glass, and hauled the treasure up in his trousers tied like a sack. The guarded room below heard nothing.

A 5,000-lei reward was posted on 20 November; the police worked through the rogues' register, where Pantazescu topped the list, and found the library key on him. He had entered after 6 in the evening and left after half past 3 at night; most of the hoard turned up at his home. He escaped the Prefecture on 24–25 November, was recaptured on 26–27 November in a Bucharest brothel with 50 galbeni, and the missing tray quarter and inscribed bracelet surfaced on 12 January 1876 at a silversmith's – part of the bracelet melted down.

The University Palace in 1864, photographed by Szathmari from the Coltei tower: the robbery of 1875 and the fire of 1884 in the same building. Carol Szathmari, 1864 · Wikimedia Commons
Pantazescu-Popescu's escape, 26 November 1875: the official toilet-window story convinced nobody. Unknown artist, 1875 · Wikimedia Commons

Sentence no. 1603 of 7 May 1876 gave Pantazescu 6 years and the silversmith Costache Constantinescu 1 year. In the night of 24–25 March 1884 the University Palace burned and the hasty rescue battered the treasure, so Carol I sent it to Paul Telge in Berlin: his July 1884 report found 53 drilled holes in the dodecagonal vessel, parts swapped with the octagonal one, and tin solder to be separated chemically – the previous mender he called a mere patcher.

An immense stir through the whole town announced that the Treasure had been found again.

Romanul, 22–23 November 1875

Meanwhile Pantazescu was shot at Cozia in August 1884, fleeing in disguise; the prison director was suspended.

Chapter IV

Moscow

1916 – 1956 · 1916–1956, the long road

Chapter
1916 – 1956
The train
second transport, 3 August 1917
The return
28 July 1956, 39,320 pieces
The museum
MNIR, 8 May 1972

Late in 1916, with Bucharest threatened by the Central Powers, Romania evacuated its treasure to Moscow in two transports. The first train – National Bank ingots and Queen Marie's jewels – arrived on 21 December / 6 January 1917; the second, with archives, paintings and the Pietroasa hoard among the museum pieces, arrived on 3 August 1917. What followed were decades of failed claims: the Genoa memorandum of April 1922, the Vienna talks of March–April 1924, and in 1935 a return of 1,443 crates with no Pietroasa in it.

In June 1956 Khrushchev told Dej the Soviet party would return Romania's historic art values – the same spring it returned Dresden's masterpieces to East Germany. A delegation led by Mihai Ralea, with Tudor Arghezi, Andrei Otetea, George Oprescu, Constantin Prisnea and Marius Bunescu, reached Moscow on 28 July 1956; the Kremlin's General Vedenin put the return at 39,320 pieces, the Pietroasa gold alone weighing 19.736 kg.

The golden hen – the great eagle-headed fibula – at the National Museum of Romanian History: 12 pieces came home to Bucharest. CristianChirita, CC BY-SA 3.0 · Wikimedia Commons
The great fibula, table IX of the album: old photographs show its head was once detached. Henric Trenk · Wikimedia Commons

On 23 August 1956 the returned treasure opened to the public at the Art Museum in Bucharest; Scanteia had announced it the day before, and Arghezi, Calinescu, Daicoviciu and Oprescu all wrote for the occasion. The hoard has lived at the National Museum of Romanian History since its inauguration on 8 May 1972 – twelve survivors of twenty-two, 19.75533 kg of gold and stones, the paper trail intact.

Our treasures are coming home.

George Oprescu, 1956

Meanwhile The 1956 return held no bank gold – that story lives on the Moscow treasure page.

Track the hoard

Four moments from the paper trail: the sale, the night, Berlin and the train. Choose, then check against the sources.

  1. 1

    The sale

    In 1838 the finders sold the hoard to Anastase the Serb for:

    What happened

    4,000 lei, split five ways on paper – then the axe: Anastase smashed the pieces until the stones fell out.

  2. 2

    The night

    On the night of 19–20 November 1875 Pantazescu reached the treasure:

    What happened

    Through the ceiling: he cut the library floorboards after 6 in the evening and left after half past 3 with the hoard in his trousers.

  3. 3

    Berlin

    For the drilled, wire-tied vessels Telge prescribed in July 1884:

    What happened

    Bronze: he counted 53 drilled holes in the dodecagonal vessel alone and called the earlier mending a patcher's ruin.

  4. 4

    The train

    The Pietroasa hoard reached Moscow:

    What happened

    With the second: it arrived on 3 August 1917 and came home 39 years later, on 23 August 1956.

Seven plates of the hoard

Seven images, in the order of the album: the frontispiece, the torcs, the patera, the ewer, the great fibula, the middle pair, the octagonal vessel.

  1. Plate 1889The frontispiece
    The frontispiece Henric Trenk, 1889 · Wikimedia Commons
    • Trenk's frontispiece to Odobescu's Le Tresor de Petrossa, volume one, 1889.
    • The hen fibula broods over vessels, torcs and stones.
    • Three volumes followed: 1889, 1896 and 1900.
  2. Plate pl. IThe torcs
    The torcs Henric Trenk · Wikimedia Commons
    • Table I: the two plain torcs, armillae of twisted gold.
    • One carries the Gothic runic inscription.
    • Telge found one letter ruined by cutting.
  3. Plate pl. IVThe patera
    The patera Henric Trenk · Wikimedia Commons
    • Table IV: the round dish with Orphic figures in relief.
    • Sixteen mythological figures ring a goddess on a throne.
    • The central statuette holds a small cylindrical cup.
  4. Plate pl. VIThe ewer
    The ewer Henric Trenk · Wikimedia Commons
    • Table VI: the oenochoe, 36 centimetres tall, 1.7155 kg.
    • A single handle, a bird at the hinge.
    • Tin solder from an old mending still clung to it when Telge saw it.
  5. Plate pl. IXThe great fibula
    The great fibula Henric Trenk · Wikimedia Commons
    • Table IX: the eagle-headed brooch, the hen herself.
    • Almandines and garnets in cloisonne and cabochon settings.
    • Old photographs show the head was once detached.
  6. Plate pl. XThe middle pair
    The middle pair Henric Trenk · Wikimedia Commons
    • Table X: two middle fibulae, once joined by a chain.
    • Worn in pairs by Gothic women, says the caption.
    • Five pendants hang from braided chains.
  7. Plate pl. XIIIThe octagonal vessel
    The octagonal vessel Henric Trenk · Wikimedia Commons
    • Table XIII: the eight-sided openwork vessel.
    • Panther handles, one of them rebuilt.
    • Telge called it the most ruined piece of the set.

Engravings after Henric Trenk from the Odobescu album (1889–1900), via Wikimedia Commons (public domain). Dates are plate references.

Pietroasa in six numbers

Every figure below comes from the cited histories. The years are the hoard's spine, 1837 to 1956.

1,837
the Lent find at Pietroasa
22
pieces in Lemnaru's count
12
pieces survive at the MNIR
1,875
the ceiling robbery
1,916
the evacuation east begins
1,956
the hoard comes home

Four things people get wrong

  1. The hen is cursed

    No period source says so. The documented seed is a joke: after 30 chimney fires next door during the 1900 Paris show, Edmond Pottier sighed with relief to see the “jinx” leave the Louvre – “Le porte-malheur borna là son influence”. Every real wound has a human author: the axe of 1838, the chisel, the melted bracelet, the tin solder.

  2. It was King Athanaric's treasure

    Odobescu argued it, following Neumeister – but modern archaeologists cannot connect the hoard with Athanaric, the Therving leader who died in 381. What the set does show is a royal or high-prelate service: no coins, no weapons, vessels and jewels of one stamp.

  3. Odobescu sold it in Paris

    A political smear. After the 1867 exhibition Bolliac accused the Bratianu ministry of selling the museum's gold; Odobescu answered with a published account of the Paris and London journey in 1869, and every piece came home.

  4. The finders counted exactly 22 pieces

    The 1838 testimonies disagree: the report says 16, Frunzăverde 17, Lemnaru 22 in one deposition and 26 in another. Twenty-two is Lemnaru's count, kept by convention – and twelve is what survives.

Sources and methods

The story follows the two treasure histories (Romanian and English) built on the 1838–1839 inquiry files, Odobescu's 1889–1900 monograph and the museum records; the train and return dates are cross-checked with the Moscow treasure page. All thirteen images are public domain or attribution-licensed CC BY-SA, via Wikimedia Commons.

Quoted testimony keeps the reporters' counts side by side instead of reconciling them; the findspot is given as presumed, because the 1838 Interior itself called it unknown. Translated quotes are marked by their source line.

The runic reading, Telge's shipping date, the 1941 album's outcome and any acid attack on the gold are undocumented here – so none is claimed. What the files do not prove is marked disputed, never invented.

Images